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RAFFAELLO Sanzio
St Sebastian
1501-02
Oil on wood, 43 x 34 cm
Accademia Carrara, Bergamo
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RAFFAELLO Sanzio
Angel (fragment of the Baronci Altarpiece) dg
1500-01
Oil on wood, 31 x 27 cm
Pinacoteca Tosio Martinengo, Brescia
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RAFFAELLO Sanzio
Crucifixion (Citt di Castello Altarpiece) g
1502-03
Oil on wood, 281 x 165 cm
National Gallery, London
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RAFFAELLO Sanzio
The Crowning of the Virgin (Oddi altar)
1502-03
Oil on canvas, 267 x 163 cm
Pinacoteca, Vatican
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RAFFAELLO Sanzio
The Annunciation (Oddi altar, predella) t
1502-03
Oil on canvas, 27 x 50 cm
Pinacoteca, Vatican
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RAFFAELLO Sanzio
The Adoration of the Magi (Oddi altar) set
1502-03
Oil on canvas, 27 x 150 cm
Pinacoteca, Vatican
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RAFFAELLO Sanzio
The Presentation in the Temple (Oddi altar, predella)
1502-03
Oil on canvas, 27 x 50 cm
Pinacoteca, Vatican
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RAFFAELLO Sanzio
Portrait of a Man aet
c. 1502
Oil on wood, 45 x 31 cm
Galleria Borghese, Rome
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RAFFAELLO Sanzio
Portrait of Pietro Bembo
c. 1504
Oil on wood, 54 x 69 cm
Museum of Fine Arts, Budapest
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RAFFAELLO Sanzio
Spozalizio (The Engagement of Virgin Mary) af
1504
Oil on roundheaded panel, 170 x 117 cm
Pinacoteca di Brera, Milan
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RAFFAELLO Sanzio
Spozalizio (detail) jkfg
1504
Oil on roundheaded panel
Pinacoteca di Brera, Milan
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RAFFAELLO Sanzio
Spozalizio (detail) at
1504
Oil on roundheaded panel
Pinacoteca di Brera, Milan
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RAFFAELLO Sanzio
The Three Graces F
1504-05
Oil on panel, 17 x 17 cm
Mus??e Cond??, Chantilly
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RAFFAELLO Sanzio
Allegory (The Knight's Dream)
c. 1504
Oil on wood, 17 x 17 cm
National Gallery, London
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RAFFAELLO Sanzio
The Granduca Madonna at
1504
Oil on wood, 84 x 55 cm
Galleria Palatina (Palazzo Pitti), Florence
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RAFFAELLO Sanzio
Madonna with the Book (Connestabile Madonna) dy
1504
Tempera on canvas transferred from wood, diameter 17,9 cm
The Hermitage, St. Petersburg
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RAFFAELLO Sanzio
St George and the Dragon st
1505-06
Oil on wood, 28.5 x 21.5 cm
National Gallery of Art, Washington
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RAFFAELLO Sanzio
St Michael and the Dragon sdr
c. 1505
Oil on wood, 31 x 27 cm
Mus??e du Louvre, Paris
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RAFFAELLO Sanzio
Young Man with an Apple
1505
Oil on wood, 47 x 35 cm
Galleria degli Uffizi, Florence
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RAFFAELLO Sanzio
Portrait of a Woman (La Donna Gravida) drty
1505-06
Oil on panel, 66 x 52 cm
Galleria Palatina (Palazzo Pitti), Florence
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| RAFFAELLO Sanzio
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Italian High Renaissance Painter, 1483-1520
Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,
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